5 things to think about when photographing markets

One element of your photography you can capture when travelling abroad, is a flavour of the place and its people. Markets are a unique draw for this, bringing together all kinds of characters as well as goods on sale, which are unique to the location.

Most likely they will be busy places and your senses can be overwhelmed at first. My advice is to take a few minutes to wander around without thinking about getting any photos. Look to see how people are engaging with each other and whether they appear open and friendly or a bit grumpy. In some ways busier is better but it makes getting well designed images more difficult. Ultimately, just photographing the goods on sale will not lead to worthwhile images so it’s about getting well and truly stuck in. Here are my suggestions for getting the best from markets.

Photographing people

Increasingly everywhere the public are becoming more alert to the presence of cameras which poses ethical questions for photographers who find potential subjects are averse to being photographed. Street photography relies on figures in the scene, but that does not mean that faces have to be clearly seen. A whole sub genre of street relies on shadows and light. However, it’s unlikely that anyone having the camera pointed towards them will immediately react with that in mind. So there are a couple of choices if you dislike confrontation or rejection. The first is to establish a rapport with a seller without holding the camera to your face and using a gesture to see if a photo is possible. If agreed then you will need to shoot quickly before they feel self conscious. A second option is to think about disguising the identity of sellers or buyers by using angles that are not full on face shots. That comes up next.

Get close to your first subject

In particularly busy markets where people are constantly distracted, one strategy is to get close to a person from the side and use a wide angle lens. This allows you to fill more of the frame with the subject, whilst allowing surrounding action to come into play, creating depth and layers within your photo. The wide angle also delivers a greater range of sharpness so background interest will also be visible if it’s not too busy or distracting. This method does require shooting more quickly as you are closer to the subject and requires a bit more creativity, such as featuring transactions. By focusing on something they are doing rather than their face, will be less confrontational. Their profile will still be in your frame but your conscience will be clearer.

Simplify the frame

In colourful market locations it’s not always easy to see the woods from the trees. In this photo of the girl in the headscarf, the photographer has changed their position to balance the girl between the two bags. Don’t shy away from bright colours which you can use to good effect. It helps that in this location the overhead light is partly shuttered reducing contrast.

Identify characters

An individual who catches your eye is probably worth photographing (subject to point 1), on the basis that viewers will most likely also find them interesting. It’s not always the case that a charismatic looking person in real life will translate into a matching image. As you survey markets, be alert to who catches your eye and check what’s around them, if that allows you to create a memorable image.

Look for atmosphere

Much easier said than done, but mist, smoke, early and late light, all contain atmosphere. In this image taken in the area of charcoal burners, the use of a telephoto lens compresses space, bringing distant objects closer. Through the compressed view, the smoke becomes the subject of the photo with the figures themselves providing a prop to an apocalyptic narrative.

Author Credit – Darren Lewey

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